Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

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  • Shostakovich's Preface and Russian literary criticism :
  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
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Shostakovich's Preface and Russian literary criticism :

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  • 9789523290686
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  • Shostakovich's Preface and Russian literary criticism :

Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

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  • Julkaistu myös painettuna
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name
  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

Shostakovich's Preface and Russian literary criticism :

isbn
  • 9789523290693
isPartOf
name
  • Shostakovich's Preface and Russian literary criticism :

Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

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  • Julkaistu myös verkkoaineistona
isPartOf
name
  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

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  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
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Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

datePublished
  • 2017
description
  • kuvitettu, nuotteja
  • Taiteilijakoulutuksen tohtorintutkintoon liittyvä kirjallinen työ.
identifier
  • propertyID: FI-MELINDA value: 010121570
isbn
  • 9789523290686
isPartOf
name
  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
numberOfPages
  • 88 sivua
P60048
P60050
publication
  • location: Helsinki organizer: Taideyliopiston Sibelius-Akatemia
publisher

Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich

bookFormat
datePublished
  • 2017
description
  • kuvitettu, nuotteja
  • Taiteilijakoulutuksen tohtorintutkintoon liittyvä kirjallinen työ.
identifier
  • propertyID: FI-MELINDA value: 011422500
isbn
  • 9789523290693
isPartOf
name
  • Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
numberOfPages
  • 1 verkkoaineisto (89 sivua)
P60048
P60050
publication
  • location: Helsinki organizer: Taideyliopiston Sibelius-Akatemia
publisher
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